The Microphones:

Exceptional low noise wide dynamic range and high SPL capability give the Audio-Technica AT4040 large-diaphragm studio condenser mic versatility. Designed for professional recording it features an externally polarized true condenser designed with a technically advanced large diaphragm tensioned specifically to provide smooth natural sonic characteristics. Transformerless circuitry virtually eliminates low-frequency distortion. Precision-machined nickel-plated brass acoustic element baffle provides enhanced element stability and optimal sensitivity. The open acoustical environment of the symmetrical housing minimizes unwanted internal reflections.

It was shockmounted using a boom stand and placed approximately 4 feet in front of the instruments

The brass sounded nice and crispy using this mic.

The MXL 1006  is a goundbreaking large diaphragm condenser microphone. It has a cardioid polar pattern, solid state preamp circuitry and the latest in balanced transistor output for maximum frequency response.

It was set back 3 feet and to the immediate right of the instruments.

The clean and unbiased tone made this mic a great choice. 

The Sennheiser 835e is a lead vocal and instrument mic, designed to perform under pressure. Uniform frequency pick-up pattern maintains signal quality when moving on and off axis during performance. Gentle presence boost to even tonal response ensures clarity and projection. Minimal proximity effect provides consistently clear bass and performance when singing closer to or further from capsule.

This mic completed a triangle configuration and was used as the far mic due to its signature sound.

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